Auras appear to be artifacts of our interactions with all the rest of creation to manifest what we need in our world. Auras are a kind of visual key to understand the processes of negotiation or mediation between our conscious, subconscious and unconscious desires and our collective superconsciousness, which is our link with creation through which all our dreams are manifested.
When we pray, meditate, or daydream, our auras become more charged and we may discover that our prayers are answered, our thoughts have become reality, or our dreams have come true. We often attribute this type of experience to coincidence, but those among us who are familiar with the belief that we create our own reality understand that this is not a coincidence; instead, those people know that this is our natural ability to directly manipulate reality, that we are developing on a level of our conscious awareness using our thoughts and feelings to guide ourselves.
There is a real interaction between us and the world around us on a subtle level that can be perceived by developing the talent to see auras. They all have this talent; it is an innate part of who and what we are. However, developing this talent to a degree where we can consciously perceive and study auras may take a bit of work. By imagining that we already have the capacity to do this, we can open the way to truly develop this talent into a useful tool in our lives. While imagination may be our first step on this journey, our journey will continue beyond the limits of our imagination and can manifest itself in a very real talent that helps us perceive the world around us more clearly and change this world of life. more deliberate way.
I find that auras appear as colors that move around and within a subject. With any given theme, there seem to be many associated colors, usually there are a few particular colors that seem to be dominant. Colors and their shapes and movements often change in response to my thoughts or my subject’s thoughts as I study them. The interactions of my thoughts with the colors of my subject’s aura help me begin to develop an idea of what is happening in my subject’s life and what they may need to learn.
Each color or color combination seems to have its own theme, as follows:
Red —————— Vitality, Energy, the number 1
Red / Orange ——- Physical Activity, Vigor, the number 4
Orange ————- Organization, Thought, the number 4
Orange / yellow — Social activity, joy, the number 3
Yellow ————– Communication, Speak, the number 3
Yellow / Green —– Healing Activity, Disease, the number 7
Green ————— Creativity, Health, the number 6
Green / Blue ——– Caring, Caring, the number 6
Blue —————– Devotion, Love, the number 2
Blue / Purple ——- Learning, Spirituality, the number 8
Purple ————– Wisdom, Compassion, the number 9
Purple / Red ——– Potential, Abrupt change (often accidents or danger), the number 5
Note: The colors form a spiral or circle and turn red at this point.
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The following are some special exceptions to the colors I see most often in auras.
BROWN ———– Confusion, Opposition, Conflict, the number 5
CLEAR ————- An exceptionally spiritual being, spirit guides, the number 9
WHITE ————- Influence of very spiritual beings, guide, the number 7
GRAY ————– Influence of a less spiritual being, the bureaucracy, the number 8
BLACK ————- A being that allows himself to harm other beings, domination, the number 2
Note: The numbers assigned to each color are loosely associated with their numerological meanings. Tarot-logical and astrological associations can also be attributed to each color.
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I have generally preferred to draw a portrait of my subject on rough textured neutral gray paper with pastel crayons. Drawing the underlying shape of my subject’s face takes about five minutes to create a light sketch, while the act of drawing helps me move into a more meditative and receptive state of mind where colors start to become lighter.
If no dominant colors or patterns appear, then I consider each of the colors in order from red to purple / red in several repeating cycles until I feel a harmony with particular colors beginning to emerge. (A set of colored flash cards or a color wheel can be a useful tool for this purpose.)
Since the colors move, I have to observe them for patterns and intensities and then make a montage of the themes that I see so that the most striking or important parts are represented.
I talk to my subject while I sketch, making suggestions that return responses in my subject’s aura, helping me to unravel the meanings of the colors and what is most likely going on in my subject’s life that is displayed in the aura.
The dark or cloudy parts of an aura generally represent secrets or information that my subject is repressing. Often these are things that my subject is painfully aware of or trying to deny.
Clear, bright, or bright parts of an aura indicate well-being and balance.
The bright parts represent an anticipation of impending events.
It is possible to see the influences of another person on my subject when my subject focuses on that person; Then it can be apparent what role that other person plays and whether it will help or hinder my topic in a particular way.
Like any psychic practice, the reader must always take into account his own state of being and must be careful not to project details of his own life in the reading that is given to a subject.
My paper tablet becomes a special window for me. On the one hand I restrain myself so as not to contaminate what I see through my window. The life of my subject appears to me through my paper tablet. My paper tablet window helps me keep my reading focus on my topic while inhibiting me from introducing a reading to myself in the process.
If you are not an expert in art, you can use the paper tablet and colored pencils, instead of striving to produce a resemblance of the physical characteristics of your subject, dispense with the portrait preamble and scribble while you study your subject until the inspiration arrives to start reading your will have.
My favorite color combination is green and purple. These two colors in combination represent art in the magical sense and creative activities like writing or painting in the most mundane aspect. Usually this color combination is accented with gold or yellow. This is the property by which Art or art speaks to us, transforming us.
The potential of art (magic) within the act of drawing a portrait is very strong. The reader can act as a healer and may try to downplay a topic that may be associated with pain or suffering while highlighting the topics of happiness and spiritual advancement. But it is necessary to guide the subject when applying any Art, since the subject may need the lesson of a pending difficulty and the lesson must still manifest itself within his life in some way. Typically, this type of lesson is repeated over and over again in a subject’s life; so that the instruction can be drawn from their past, so that they can finally “get it” and dispense with the need for many more repetitions of a lesson that can become potentially harmful or unpleasant in nature.
The application of art seldom prevents the next cycle of this repetitive lesson from unfolding, but it can improve the next cycle to some greater or lesser degree and the subject can learn better from the next repetition of his lesson if the reader has prepared them properly. to perceive and understand their lesson.
To start your own exploration of auras, get some crayons and rough neutral paper. The backs of brown paper bags are very good for this. You can use photos, objects in your house, pets, plants, or people as your theme. Black and white photos are particularly good for this type of exercise. Place your subject on a neutral background, such as an empty white wall. Study your subject around the edges, if it is a person, pay special attention to the crown chakra where the energy channel is often strongest. (You can also try looking directly at a subject’s chakras.)
Personally, I think the edges of a subject’s profile are the best places to start to see the interplay of colored light emanating from within. If you feel like you don’t see anything, imagine what you think you could see if you could see auras. Take notes with the colored pencils and try to associate your thoughts with the colors while taking notes. You can do this simply by using whichever colored crayon seems most appropriate for writing your thoughts. You do not need to organize your perceptions in the form of an image. Sometimes a thought can have a strong color and several associated colors. You can freely overwrite what you have written with the same words in a different color when it seems appropriate, or you can find new words that arise when selecting a new color in association with something that you have already written or drawn.
Allow this to happen; don’t get too involved in how you do it or what you would like to know about a topic. Instead, open your heart and mind to every slightest thought and feeling and follow them wherever they lead.
Let your colored pencils dance on your pad of paper while your heart dances with creation …